| Photography is my passion. - Alfred | No place is boring, if you've had a good |
| Stieglitz | night's sleep and have a pocket full of |
| | unexposed film. - Robert Adams |
| There is nothing worse than a sharp image of | |
| a fuzzy concept. - Ansel Adams | A great photograph is one that fully expresses |
| | what one feels, in the deepest sense, about |
| It is not the language of painters but the | what is being photographed. - Ansel |
| language of nature which one should listen to. | Adams |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | You learn to see by practice. It's just like |
| pictures. - Vincent Van Gogh | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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Indianapolis |
San Jose |
Rochester |
Atlanta |
Jackson |
Youngstown |
Cumming |
Cincinnati |
Russellville |
Long Branch |
Vineland |
St. Croix Falls |
Milledgeville |
New Orleans |
Lafayette |
Long Beach |
Winter Haven |
Pennsville |
Windsor |
Winslow |
Elizabethtown |
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| The difficulty with color is to go beyond the | Photography is about finding out what can |
| fact that it's color to have it be not just a | happen in the frame. When you put four |
| colorful picture but really be a picture about | edges around some facts, you change those |
| something. It's difficult. So often color gets | facts. - Gary Winogrand |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | ...words and pictures can work together to |
| brilliantly to make visual statements combining | communicate more powerfully than either |
| color and content; otherwise it is empty. | alone. -William Albert Allard |
| - Mary Ellen Mark | |
| | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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