| The virtue of the camera is not the power it | Memory is very important, the memory of |
| has to transform the photographer into an | each photo taken, flowing at the same speed |
| artist, but the impulse it gives him to keep on | as the event. During the work, you have to be |
| looking. - Brooks Anderson | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| One should really use the camera as though | be too late. - Henri Cartier Bresson |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | Photography is about finding out what can |
| | happen in the frame. When you put four |
| My own eyes are no more than scouts on a | edges around some facts, you change those |
| preliminary search, for the camera's eye may | facts. - Gary Winogrand |
| entirely change my idea. - Edward | |
| Weston | |
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Houston |
San Jose |
Colorado Springs |
Fresno |
Raleigh |
Cookeville |
Peachtree City |
Katy |
Athens |
Waukesha |
Shawnee |
Marlborough |
Troy |
Marysville |
Sewickley |
West Hollywood |
Buena Vista |
Prescott |
Leavenworth |
Warner Robins |
Portsmouth |
Sterling |
Eufaula |
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| You learn to see by practice. It's just like | There is nothing worse than a sharp image of |
| playing tennis, you get better the more you | a fuzzy concept. - Ansel Adams |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | Photography takes an instant out of time, |
| more you realize what can be photographed | altering life by holding it still. - Dorothea |
| and what can't be photographed. You just have | Lange |
| to keep doing it. - Eliot Porter | |
| | It is not the language of painters but the |
| A good picture is equivalent to a good deed. | language of nature which one should listen to. |
| - Vincent Van Gogh | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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