| Sometimes you can tell a large story with a | [Photography] is a way of feeling, of touching, |
| tiny subject. - Eliot Porter | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| A great photograph is one that fully expresses | long after you have forgotten everything. |
| what one feels, in the deepest sense, about | - Aaron Siskind |
| what is being photographed. - Ansel | |
| Adams | Photography takes an instant out of time, |
| | altering life by holding it still. - Dorothea |
| You learn to see by practice. It's just like | Lange |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Pittsburgh |
Phoenix |
Chicago |
Ithaca |
Bremerton |
Butler |
Goshen |
Lakewood |
West Hollywood |
North Attleboro |
Webster |
Mountain Home |
Snyder |
Chester |
Grand Haven |
Urbandale |
Clearwater |
La Crosse |
Hernando |
Monroe |
San Francisco |
Arcadia |
Searcy |
Chico |
Mcgraw |
Altamont |
Plantation |
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| The difficulty with color is to go beyond the | ...words and pictures can work together to |
| fact that it's color to have it be not just a | communicate more powerfully than either |
| colorful picture but really be a picture about | alone. -William Albert Allard |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | Photography is about finding out what can |
| decorative. Some photographers use [ it ] | happen in the frame. When you put four |
| brilliantly to make visual statements combining | edges around some facts, you change those |
| color and content; otherwise it is empty. | facts. - Gary Winogrand |
| - Mary Ellen Mark | |
| | Memory is very important, the memory of |
| | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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