| [Photography] is a way of feeling, of touching, | The difficulty with color is to go beyond the |
| of loving. What you have caught on film is | fact that it's color to have it be not just a |
| captured forever . . . it remembers little things, | colorful picture but really be a picture about |
| long after you have forgotten everything. | something. It's difficult. So often color gets |
| - Aaron Siskind | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| "Simply look with perceptive eyes at the | brilliantly to make visual statements combining |
| world about you, and trust to your own | color and content; otherwise it is empty. |
| reactions and convictions. Ask yourself: | - Mary Ellen Mark |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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New York |
Philadelphia |
Miami |
Atlanta |
Bay City |
Sterling Heights |
Littleton |
Columbia |
Altamonte Springs |
Astoria |
Woodstock |
Elizabethton |
Reseda |
Bethlehem |
Southfield |
Grove City |
London |
Newark |
Garner |
Palmer |
North Adams |
St Cloud |
Richburg |
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| Photography records the gamut of feelings | You learn to see by practice. It's just like |
| written on the human face, the beauty of the | playing tennis, you get better the more you |
| earth and skies that man has inherited and the | play. The more you look around at things, the |
| wealth and confusion man has created. | more you see. The more you photograph, the |
| - Edward Steichen | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| Memory is very important, the memory of | to keep doing it. - Eliot Porter |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | Sometimes you can tell a large story with a |
| sure that you haven't left any holes, that you've | tiny subject. - Eliot Porter |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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