| Photography takes an instant out of time, | A room hung with pictures is a room hung with |
| altering life by holding it still. - Dorothea | thoughts. - Sir Joshua Reynolds |
| Lange | |
| | No place is boring, if you've had a good |
| It is not the language of painters but the | night's sleep and have a pocket full of |
| language of nature which one should listen to. | unexposed film. - Robert Adams |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | You learn to see by practice. It's just like |
| pictures. - Vincent Van Gogh | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
|
|
Baltimore |
Brooklyn |
Dallas |
Raleigh |
Charlotte |
Columbus |
Bowling Green |
Elmhurst |
Medina |
Selma |
Jefferson City |
Mequon |
Batesville |
Jackson |
Springfield |
East Peoria |
Athens |
San Bernardino |
Greenwood |
Dayville |
Fort Smith |
Evergreen |
Silver Spring |
|
|
| A mad, keen photographer needs to get out | You've got to push yourself harder. You've got |
| into the world and work and make mistakes. | to start looking for pictures nobody else could |
| - Sam Abell | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Memory is very important, the memory of |
| colorful picture but really be a picture about | each photo taken, flowing at the same speed |
| something. It's difficult. So often color gets | as the event. During the work, you have to be |
| caught up in color, and it becomes merely | sure that you haven't left any holes, that you've |
| decorative. Some photographers use [ it ] | captured everything, because afterwards it will |
| brilliantly to make visual statements combining | be too late. - Henri Cartier Bresson |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
|