| Photography knows how to authenticate its | A good picture is equivalent to a good deed. |
| misrepresentations. - Mason Cooley | - Vincent Van Gogh |
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| Photography is about finding out what can | You can find pictures anywhere. It's simply a |
| happen in the frame. When you put four | matter of noticing things and organizing them. |
| edges around some facts, you change those | You just have to care about what's around you |
| facts. - Gary Winogrand | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | Sometimes you can tell a large story with a |
| as the event. During the work, you have to be | tiny subject. - Eliot Porter |
| sure that you haven't left any holes, that you've | |
| captured everything, because afterwards it will | |
| be too late. - Henri Cartier Bresson | |
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| "Simply look with perceptive eyes at the | One should really use the camera as though |
| world about you, and trust to your own | tomorrow you'd be stricken blind. |
| reactions and convictions. Ask yourself: | - Dorothea Lange |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | The virtue of the camera is not the power it |
| personal statement of what I feel and want to | has to transform the photographer into an |
| convey - from the subject before me?" | artist, but the impulse it gives him to keep on |
| - Ansel Adams | looking. - Brooks Anderson |
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| Above all, it's hard learning to live with vivid | The camera makes everyone a tourist in other |
| mental images of scenes I cared for and failed | people's reality. - Susan Sontag |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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