| Photography knows how to authenticate its | A room hung with pictures is a room hung with |
| misrepresentations. - Mason Cooley | thoughts. - Sir Joshua Reynolds |
| | |
| Photography is about finding out what can | You can find pictures anywhere. It's simply a |
| happen in the frame. When you put four | matter of noticing things and organizing them. |
| edges around some facts, you change those | You just have to care about what's around you |
| facts. - Gary Winogrand | and have a concern with humanity and the |
| | human comedy. - Elliott Erwitt |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | You learn to see by practice. It's just like |
| as the event. During the work, you have to be | playing tennis, you get better the more you |
| sure that you haven't left any holes, that you've | play. The more you look around at things, the |
| captured everything, because afterwards it will | more you see. The more you photograph, the |
| be too late. - Henri Cartier Bresson | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
|
|
New York |
Escondido |
Erie |
Reading |
Farmington |
Dothan |
San Bruno |
Denver |
Muskegon |
Florence |
Cleveland |
Searcy |
Perrysburg |
Washington |
Brooklyn Park |
Delaware |
Jacksonville |
Bedford |
Pineville |
Ottumwa |
Middletown |
Bethel |
Gallup |
|
|
| Photography suits the temper of this ageof | Photography takes an instant out of time, |
| active bodies and minds. It is a perfect | altering life by holding it still. - Dorothea |
| medium for one whose mind is teeming with | Lange |
| ideas, imagery, for a prolific worker who | |
| would be slowed down by painting or | There is nothing worse than a sharp image of |
| sculpting, for one who sees quickly and acts | a fuzzy concept. - Ansel Adams |
| decisively, accurately. - Edward Weston | |
| | "Simply look with perceptive eyes at the |
| I almost never set out to photograph a | world about you, and trust to your own |
| landscape, nor do I think of my camera as a | reactions and convictions. Ask yourself: |
| means of recording a mountain or an animal | "Does this subject move me to feel, think |
| unless I absolutely need a 'record shot'. My | and dream? Can I visualize a print - my own |
| first thought is always of light. - Galen | personal statement of what I feel and want to |
| Rowell | convey - from the subject before me?" |
| | - Ansel Adams |
|