| The difficulty with color is to go beyond the | You can find pictures anywhere. It's simply a |
| fact that it's color to have it be not just a | matter of noticing things and organizing them. |
| colorful picture but really be a picture about | You just have to care about what's around you |
| something. It's difficult. So often color gets | and have a concern with humanity and the |
| caught up in color, and it becomes merely | human comedy. - Elliott Erwitt |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | A great photograph is one that fully expresses |
| color and content; otherwise it is empty. | what one feels, in the deepest sense, about |
| - Mary Ellen Mark | what is being photographed. - Ansel |
| | Adams |
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New York |
Columbus |
Kansas City |
Oxnard |
Burbank |
St. Paul |
Hauppauge |
Elkins |
Irvine |
Bloomington |
Ocoee |
Schenectady |
Pocatello |
Clinton |
Bennettsville |
Elyria |
Fairhope |
Port Lavaca |
Mechanicsburg |
Brighton |
Adventura |
Richburg |
Grand Prairie |
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| "Simply look with perceptive eyes at the | Photography knows how to authenticate its |
| world about you, and trust to your own | misrepresentations. - Mason Cooley |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | Memory is very important, the memory of |
| and dream? Can I visualize a print - my own | each photo taken, flowing at the same speed |
| personal statement of what I feel and want to | as the event. During the work, you have to be |
| convey - from the subject before me?" | sure that you haven't left any holes, that you've |
| - Ansel Adams | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| Photography is my passion. - Alfred | |
| Stieglitz | |
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