| "Simply look with perceptive eyes at the | The difficulty with color is to go beyond the |
| world about you, and trust to your own | fact that it's color to have it be not just a |
| reactions and convictions. Ask yourself: | colorful picture but really be a picture about |
| "Does this subject move me to feel, think | something. It's difficult. So often color gets |
| and dream? Can I visualize a print - my own | caught up in color, and it becomes merely |
| personal statement of what I feel and want to | decorative. Some photographers use [ it ] |
| convey - from the subject before me?" | brilliantly to make visual statements combining |
| - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| It is not the language of painters but the | |
| language of nature which one should listen to. | |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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Chicago |
Staten Island |
Jacksonville |
Detroit |
Atlanta |
Bay City |
Omaha |
Amherst |
Tucson |
Philadelphia |
Simpsonville |
Lisle |
Bowling Green |
Brownwood |
Langhorne |
Cordova |
Decatur |
Corona |
Delta |
Rice Lake |
Manassas |
Boone |
Chincoteague |
Santa Rosa |
Rochelle Park |
Gainesville |
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| Keep it simple. - Alfred Eienstaedt | Photography knows how to authenticate its |
| | misrepresentations. - Mason Cooley |
| A good picture is equivalent to a good deed. | |
| - Vincent Van Gogh | Pictures you have taken have an influence on |
| | those that you are going to make. |
| A great photograph is one that fully expresses | That's life! - John Sexton |
| what one feels, in the deepest sense, about | |
| what is being photographed. - Ansel | Photography is a major force in explaining |
| Adams | man to man. - Edward Steichen |
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