| "Simply look with perceptive eyes at the | Photography is a major force in explaining |
| world about you, and trust to your own | man to man. - Edward Steichen |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | You've got to push yourself harder. You've got |
| and dream? Can I visualize a print - my own | to start looking for pictures nobody else could |
| personal statement of what I feel and want to | take. You've got to take the tools you have and |
| convey - from the subject before me?" | probe deeper. - William Albert Allard |
| - Ansel Adams | |
| | Photography records the gamut of feelings |
| Above all, it's hard learning to live with vivid | written on the human face, the beauty of the |
| mental images of scenes I cared for and failed | earth and skies that man has inherited and the |
| to photograph. It is the edgy existence within | wealth and confusion man has created. |
| me of these unmade images that is the only | - Edward Steichen |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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New York |
Phoenix |
Tucson |
West Palm Beach |
Fort Myers |
Tallahassee |
Philadelphia |
Frederick |
Concord |
Gaylord |
Birmingham |
Hammond |
Cape Girardeau |
Manchester |
Marlborough |
Kingston |
Arnold |
Elizabethtown |
Loveland |
Bourbonnais |
Ft. Stockton |
Piscataway |
Quakertown |
Oak Brook Terrace |
Litchfield |
Butler |
Seaside |
Green River |
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| The difficulty with color is to go beyond the | Keep it simple. - Alfred Eienstaedt |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | I think the best pictures are often on the edges |
| something. It's difficult. So often color gets | of any situation, I don't find photographing the |
| caught up in color, and it becomes merely | situation nearly as interesting as |
| decorative. Some photographers use [ it ] | photographing the edges. - William Albert |
| brilliantly to make visual statements combining | Allard |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | You learn to see by practice. It's just like |
| | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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