| Now to consult the rules of composition before | The difficulty with color is to go beyond the |
| making a picture is a little like consulting the | fact that it's color to have it be not just a |
| law of gravitation before going for a walk. | colorful picture but really be a picture about |
| Such rules and laws are deduced from the | something. It's difficult. So often color gets |
| accomplished fact; they are the products of | caught up in color, and it becomes merely |
| reflection . . . - Edward Weston | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Once photography enters your bloodstream, | color and content; otherwise it is empty. |
| it's like a disease. - Anon | - Mary Ellen Mark |
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New York |
Tampa |
San Antonio |
Albuquerque |
Colorado Springs |
Des Moines |
Dayton |
Oakland |
Holland |
Greenville |
Ames |
Sandy |
Worcester |
Metropolis |
Shawnee |
Brainerd |
Montpelier |
Saraland |
Cullman |
Urbana |
Manchester |
Chelmsford |
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| Pictures you have taken have an influence on | You learn to see by practice. It's just like |
| those that you are going to make. | playing tennis, you get better the more you |
| That's life! - John Sexton | play. The more you look around at things, the |
| | more you see. The more you photograph, the |
| Photography knows how to authenticate its | more you realize what can be photographed |
| misrepresentations. - Mason Cooley | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| You've got to push yourself harder. You've got | |
| to start looking for pictures nobody else could | A great photograph is one that fully expresses |
| take. You've got to take the tools you have and | what one feels, in the deepest sense, about |
| probe deeper. - William Albert Allard | what is being photographed. - Ansel |
| | Adams |
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