| The difficulty with color is to go beyond the | Memory is very important, the memory of |
| fact that it's color to have it be not just a | each photo taken, flowing at the same speed |
| colorful picture but really be a picture about | as the event. During the work, you have to be |
| something. It's difficult. So often color gets | sure that you haven't left any holes, that you've |
| caught up in color, and it becomes merely | captured everything, because afterwards it will |
| decorative. Some photographers use [ it ] | be too late. - Henri Cartier Bresson |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Photography knows how to authenticate its |
| - Mary Ellen Mark | misrepresentations. - Mason Cooley |
|
|
Cincinnati |
San Francisco |
Mesa |
Columbus |
Whittier |
Dallas |
Melbourne |
Littleton |
Fort Wayne |
Des Moines |
Newport |
Lacey |
Naperville |
Summit |
West Chester |
Huntingdon |
Concord |
Oxford |
Anaheim Hills |
South Charleston |
Kerrville |
La Porte |
Milton |
Clarksville |
Robinsonville |
Teaneck |
Cedar Hill |
Mount Gilead |
Falmouth |
|
|
| Once photography enters your bloodstream, | Sometimes you can tell a large story with a |
| it's like a disease. - Anon | tiny subject. - Eliot Porter |
| | |
| Photography is my passion. - Alfred | A good picture is equivalent to a good deed. |
| Stieglitz | - Vincent Van Gogh |
| | |
| Above all, it's hard learning to live with vivid | You can find pictures anywhere. It's simply a |
| mental images of scenes I cared for and failed | matter of noticing things and organizing them. |
| to photograph. It is the edgy existence within | You just have to care about what's around you |
| me of these unmade images that is the only | and have a concern with humanity and the |
| assurance that the best photographs are yet to | human comedy. - Elliott Erwitt |
| be made. - Sam Abell | |
|