| You've got to push yourself harder. You've got | Keep it simple. - Alfred Eienstaedt |
| to start looking for pictures nobody else could | |
| take. You've got to take the tools you have and | A picture is the expression of an impression. If |
| probe deeper. - William Albert Allard | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| Photography records the gamut of feelings | |
| written on the human face, the beauty of the | A great photograph is one that fully expresses |
| earth and skies that man has inherited and the | what one feels, in the deepest sense, about |
| wealth and confusion man has created. | what is being photographed. - Ansel |
| - Edward Steichen | Adams |
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San Francisco |
Pittsburgh |
Raleigh |
Fort Wayne |
Stockton |
Nashville |
Southfield |
Longview |
Silver Spring |
Santa Rosa |
Fort Smith |
West Covina |
Eastland |
Doniphan |
Westport |
Port Jervis |
Methuen |
Palatine |
Plainwell |
Citrus Heights |
Caldwell |
Garland |
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| Once photography enters your bloodstream, | The difficulty with color is to go beyond the |
| it's like a disease. - Anon | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| [Photography] is a way of feeling, of touching, | something. It's difficult. So often color gets |
| of loving. What you have caught on film is | caught up in color, and it becomes merely |
| captured forever . . . it remembers little things, | decorative. Some photographers use [ it ] |
| long after you have forgotten everything. | brilliantly to make visual statements combining |
| - Aaron Siskind | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| Above all, it's hard learning to live with vivid | |
| mental images of scenes I cared for and failed | |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | |
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