| Pictures you have taken have an influence on | A room hung with pictures is a room hung with |
| those that you are going to make. | thoughts. - Sir Joshua Reynolds |
| That's life! - John Sexton | |
| | You can find pictures anywhere. It's simply a |
| I think you have to have a real point of view | matter of noticing things and organizing them. |
| that's your own. You have to tell it your way. | You just have to care about what's around you |
| And, I think that it's a mistake to shoot for a | and have a concern with humanity and the |
| specific magazine's point of view because it's | human comedy. - Elliott Erwitt |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | I think the best pictures are often on the edges |
| believe it. - Mary Ellen Mark | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
|
|
Brooklyn |
San Diego |
Baton Rouge |
Greenville |
Yonkers |
Reno |
Lakeland |
Oklahoma City |
Pembroke Pines |
Billings |
Erie |
Lewisville |
Simi Valley |
Jersey City |
Houston |
New Orleans |
Baxley |
Saratoga Springs |
Placentia |
Riverside |
Gainesville |
Vincennes |
Perham |
Orangeburg |
Conyers |
Carol Stream |
Leesburg |
Bellflower |
Newberry |
|
|
| Photography is my passion. - Alfred | The camera makes everyone a tourist in other |
| Stieglitz | people's reality. - Susan Sontag |
| | |
| Above all, it's hard learning to live with vivid | The virtue of the camera is not the power it |
| mental images of scenes I cared for and failed | has to transform the photographer into an |
| to photograph. It is the edgy existence within | artist, but the impulse it gives him to keep on |
| me of these unmade images that is the only | looking. - Brooks Anderson |
| assurance that the best photographs are yet to | |
| be made. - Sam Abell | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
|