| The difficulty with color is to go beyond the | Photography records the gamut of feelings |
| fact that it's color to have it be not just a | written on the human face, the beauty of the |
| colorful picture but really be a picture about | earth and skies that man has inherited and the |
| something. It's difficult. So often color gets | wealth and confusion man has created. |
| caught up in color, and it becomes merely | - Edward Steichen |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Photography is about finding out what can |
| color and content; otherwise it is empty. | happen in the frame. When you put four |
| - Mary Ellen Mark | edges around some facts, you change those |
| | facts. - Gary Winogrand |
|
|
Chicago |
Orlando |
Tucson |
Norfolk |
Clearwater |
Lexington |
Orange |
Santa Barbara |
Auburn |
Oxnard |
Pasadena |
Rolla |
Redondo Beach |
Tulare |
Vallejo |
Addison |
Hillsboro |
Round Rock |
Lima |
Ann Arbor |
Austin |
Farmington Hills |
Moorhead |
Pinole |
Aiken |
Compton |
|
|
| Sometimes you can tell a large story with a | Now to consult the rules of composition before |
| tiny subject. - Eliot Porter | making a picture is a little like consulting the |
| | law of gravitation before going for a walk. |
| Keep it simple. - Alfred Eienstaedt | Such rules and laws are deduced from the |
| | accomplished fact; they are the products of |
| A good picture is equivalent to a good deed. | reflection . . . - Edward Weston |
| - Vincent Van Gogh | |
| | [Photography] is a way of feeling, of touching, |
| A room hung with pictures is a room hung with | of loving. What you have caught on film is |
| thoughts. - Sir Joshua Reynolds | captured forever . . . it remembers little things, |
| | long after you have forgotten everything. |
| | - Aaron Siskind |
|