| Photography is a major force in explaining | My own eyes are no more than scouts on a |
| man to man. - Edward Steichen | preliminary search, for the camera's eye may |
| | entirely change my idea. - Edward |
| Photography knows how to authenticate its | Weston |
| misrepresentations. - Mason Cooley | |
| | The difficulty with color is to go beyond the |
| I think you have to have a real point of view | fact that it's color to have it be not just a |
| that's your own. You have to tell it your way. | colorful picture but really be a picture about |
| And, I think that it's a mistake to shoot for a | something. It's difficult. So often color gets |
| specific magazine's point of view because it's | caught up in color, and it becomes merely |
| never going to be as good. You have to shoot | decorative. Some photographers use [ it ] |
| for yourself and photograph [the way] you | brilliantly to make visual statements combining |
| believe it. - Mary Ellen Mark | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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Wilmington |
Sarasota |
San Antonio |
Dallas |
Chicago |
Toledo |
Arlington |
Billings |
Thomson |
San Clemente |
Ontario |
Columbia |
Granbury |
Lawrenceville |
Thornton |
Astoria |
Allentown |
Gallup |
Loveland |
Miami |
Weirton |
Port Lavaca |
Poulsbo |
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| It is not the language of painters but the | A great photograph is one that fully expresses |
| language of nature which one should listen to. | what one feels, in the deepest sense, about |
| . . . The feeling for the things themselves, for | what is being photographed. - Ansel |
| reality, is more important than the feeling for | Adams |
| pictures. - Vincent Van Gogh | |
| | No place is boring, if you've had a good |
| [Photography] is a way of feeling, of touching, | night's sleep and have a pocket full of |
| of loving. What you have caught on film is | unexposed film. - Robert Adams |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | A picture is the expression of an impression. If |
| - Aaron Siskind | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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