| Sometimes you can tell a large story with a | You've got to push yourself harder. You've got |
| tiny subject. - Eliot Porter | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| You learn to see by practice. It's just like | probe deeper. - William Albert Allard |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | Memory is very important, the memory of |
| more you see. The more you photograph, the | each photo taken, flowing at the same speed |
| more you realize what can be photographed | as the event. During the work, you have to be |
| and what can't be photographed. You just have | sure that you haven't left any holes, that you've |
| to keep doing it. - Eliot Porter | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Los Angeles |
Houston |
Brooklyn |
Cincinnati |
Denver |
Boca Raton |
Newport News |
Irvine |
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Erie |
Gaylord |
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| Photography is my passion. - Alfred | The difficulty with color is to go beyond the |
| Stieglitz | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Once photography enters your bloodstream, | something. It's difficult. So often color gets |
| it's like a disease. - Anon | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| There is nothing worse than a sharp image of | brilliantly to make visual statements combining |
| a fuzzy concept. - Ansel Adams | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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