| Photography suits the temper of this ageof | Photography is a major force in explaining |
| active bodies and minds. It is a perfect | man to man. - Edward Steichen |
| medium for one whose mind is teeming with | |
| ideas, imagery, for a prolific worker who | Photography records the gamut of feelings |
| would be slowed down by painting or | written on the human face, the beauty of the |
| sculpting, for one who sees quickly and acts | earth and skies that man has inherited and the |
| decisively, accurately. - Edward Weston | wealth and confusion man has created. |
| | - Edward Steichen |
| The difficulty with color is to go beyond the | |
| fact that it's color to have it be not just a | Photography is about finding out what can |
| colorful picture but really be a picture about | happen in the frame. When you put four |
| something. It's difficult. So often color gets | edges around some facts, you change those |
| caught up in color, and it becomes merely | facts. - Gary Winogrand |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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Los Angeles |
Dallas |
Washington |
St. Louis |
Jacksonville |
Birmingham |
Wilmington |
Wichita |
Poughkeepsie |
Rochester |
Alpharetta |
Plano |
Burbank |
Clifton |
Belleville |
Dorchester |
Tracy |
Hermiston |
Oconomowoc |
Canonsburg |
Brookfield |
Portland |
Eagan |
Osceola |
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| "Simply look with perceptive eyes at the | No place is boring, if you've had a good |
| world about you, and trust to your own | night's sleep and have a pocket full of |
| reactions and convictions. Ask yourself: | unexposed film. - Robert Adams |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | I think the best pictures are often on the edges |
| personal statement of what I feel and want to | of any situation, I don't find photographing the |
| convey - from the subject before me?" | situation nearly as interesting as |
| - Ansel Adams | photographing the edges. - William Albert |
| | Allard |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | |
| accomplished fact; they are the products of | |
| reflection . . . - Edward Weston | |
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