| The difficulty with color is to go beyond the | A picture is the expression of an impression. If |
| fact that it's color to have it be not just a | the beautiful were not in us, how would we |
| colorful picture but really be a picture about | ever recognize it? - Ernst Haas |
| something. It's difficult. So often color gets | |
| caught up in color, and it becomes merely | You can find pictures anywhere. It's simply a |
| decorative. Some photographers use [ it ] | matter of noticing things and organizing them. |
| brilliantly to make visual statements combining | You just have to care about what's around you |
| color and content; otherwise it is empty. | and have a concern with humanity and the |
| - Mary Ellen Mark | human comedy. - Elliott Erwitt |
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Brooklyn |
Los Angeles |
Nashville |
Durham |
Carlsbad |
Roanoke |
Dayton |
Kansas City |
Pittsfield |
Hobbs |
Trenton |
Paso Robles |
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Easton |
Enterprise |
Troy |
Millville |
Antioch |
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New Hope |
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| Photography is my passion. - Alfred | ...words and pictures can work together to |
| Stieglitz | communicate more powerfully than either |
| | alone. -William Albert Allard |
| Once photography enters your bloodstream, | |
| it's like a disease. - Anon | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| "Simply look with perceptive eyes at the | And, I think that it's a mistake to shoot for a |
| world about you, and trust to your own | specific magazine's point of view because it's |
| reactions and convictions. Ask yourself: | never going to be as good. You have to shoot |
| "Does this subject move me to feel, think | for yourself and photograph [the way] you |
| and dream? Can I visualize a print - my own | believe it. - Mary Ellen Mark |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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