| You've got to push yourself harder. You've got | Photography takes an instant out of time, |
| to start looking for pictures nobody else could | altering life by holding it still. - Dorothea |
| take. You've got to take the tools you have and | Lange |
| probe deeper. - William Albert Allard | |
| | "Simply look with perceptive eyes at the |
| Photography knows how to authenticate its | world about you, and trust to your own |
| misrepresentations. - Mason Cooley | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| Pictures you have taken have an influence on | and dream? Can I visualize a print - my own |
| those that you are going to make. | personal statement of what I feel and want to |
| That's life! - John Sexton | convey - from the subject before me?" |
| | - Ansel Adams |
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Brooklyn |
Phoenix |
Oklahoma City |
Bakersfield |
Kingsport |
Marietta |
Killeen |
Niagara Falls |
Stockbridge |
Gettysburg |
San Mateo |
La Place |
Donna |
Belton |
Flora |
Dallas |
Cocoa Beach |
Beaver Dam |
Laurinburg |
Wildwood |
Midlothian |
Union City |
Tillamook |
Chicago |
Vienna |
Findley Lake |
Driggs |
Great Barrington |
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| You learn to see by practice. It's just like | A mad, keen photographer needs to get out |
| playing tennis, you get better the more you | into the world and work and make mistakes. |
| play. The more you look around at things, the | - Sam Abell |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | My own eyes are no more than scouts on a |
| and what can't be photographed. You just have | preliminary search, for the camera's eye may |
| to keep doing it. - Eliot Porter | entirely change my idea. - Edward |
| | Weston |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | The camera makes everyone a tourist in other |
| unexposed film. - Robert Adams | people's reality. - Susan Sontag |
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