| I think you have to have a real point of view | Above all, it's hard learning to live with vivid |
| that's your own. You have to tell it your way. | mental images of scenes I cared for and failed |
| And, I think that it's a mistake to shoot for a | to photograph. It is the edgy existence within |
| specific magazine's point of view because it's | me of these unmade images that is the only |
| never going to be as good. You have to shoot | assurance that the best photographs are yet to |
| for yourself and photograph [the way] you | be made. - Sam Abell |
| believe it. - Mary Ellen Mark | |
| | Photography takes an instant out of time, |
| Pictures you have taken have an influence on | altering life by holding it still. - Dorothea |
| those that you are going to make. | Lange |
| That's life! - John Sexton | |
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New York |
Dallas |
Atlanta |
Washington |
Columbus |
Scottsdale |
Cape Coral |
Allentown |
West Palm Beach |
Dearborn |
Gainesville |
Charlotte |
Billings |
Peoria |
Bloomington |
Irving |
Merritt Island |
Massapequa Park |
Oklahoma City |
Danville |
Massillon |
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| Keep it simple. - Alfred Eienstaedt | My own eyes are no more than scouts on a |
| | preliminary search, for the camera's eye may |
| A great photograph is one that fully expresses | entirely change my idea. - Edward |
| what one feels, in the deepest sense, about | Weston |
| what is being photographed. - Ansel | |
| Adams | A mad, keen photographer needs to get out |
| | into the world and work and make mistakes. |
| Sometimes you can tell a large story with a | - Sam Abell |
| tiny subject. - Eliot Porter | |
| | The virtue of the camera is not the power it |
| | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| | looking. - Brooks Anderson |
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