| I almost never set out to photograph a | "Simply look with perceptive eyes at the |
| landscape, nor do I think of my camera as a | world about you, and trust to your own |
| means of recording a mountain or an animal | reactions and convictions. Ask yourself: |
| unless I absolutely need a 'record shot'. My | "Does this subject move me to feel, think |
| first thought is always of light. - Galen | and dream? Can I visualize a print - my own |
| Rowell | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| The camera makes everyone a tourist in other | - Ansel Adams |
| people's reality. - Susan Sontag | |
| | It is not the language of painters but the |
| | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
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Alexandria |
Little Rock |
Philadelphia |
Lakeland |
Greenville |
Clarksville |
Terre Haute |
Leominster |
Henderson |
Walnut Creek |
Muscatine |
Kalamazoo |
Findlay |
Charleston |
Bloomingdale |
Hays |
California |
Ocean Springs |
Cary |
Evergreen |
Merritt Island |
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| I think the best pictures are often on the edges | Photography is a major force in explaining |
| of any situation, I don't find photographing the | man to man. - Edward Steichen |
| situation nearly as interesting as | |
| photographing the edges. - William Albert | Photography records the gamut of feelings |
| Allard | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| A great photograph is one that fully expresses | wealth and confusion man has created. |
| what one feels, in the deepest sense, about | - Edward Steichen |
| what is being photographed. - Ansel | |
| Adams | You've got to push yourself harder. You've got |
| | to start looking for pictures nobody else could |
| | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
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