| I think you have to have a real point of view | A mad, keen photographer needs to get out |
| that's your own. You have to tell it your way. | into the world and work and make mistakes. |
| And, I think that it's a mistake to shoot for a | - Sam Abell |
| specific magazine's point of view because it's | |
| never going to be as good. You have to shoot | I almost never set out to photograph a |
| for yourself and photograph [the way] you | landscape, nor do I think of my camera as a |
| believe it. - Mary Ellen Mark | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| Photography records the gamut of feelings | first thought is always of light. - Galen |
| written on the human face, the beauty of the | Rowell |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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Philadelphia |
San Diego |
Boston |
Boca Raton |
Tampa |
Louisville |
Las Vegas |
Orlando |
Evansville |
Stamford |
Monroe |
Longmont |
Gastonia |
Jensen Beach |
Imperial Beach |
Hammond |
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Flint |
Port Washington |
Girard |
Sunnyside |
Government Camp |
Hibbing |
Savoy |
Chattanooga |
Hayward |
Lakewood |
San Francisco |
Quechee |
Ocean City |
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| A great photograph is one that fully expresses | It is not the language of painters but the |
| what one feels, in the deepest sense, about | language of nature which one should listen to. |
| what is being photographed. - Ansel | . . . The feeling for the things themselves, for |
| Adams | reality, is more important than the feeling for |
| | pictures. - Vincent Van Gogh |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Photography takes an instant out of time, |
| ever recognize it? - Ernst Haas | altering life by holding it still. - Dorothea |
| | Lange |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | |
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