| The virtue of the camera is not the power it | Photography is a major force in explaining |
| has to transform the photographer into an | man to man. - Edward Steichen |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | Pictures you have taken have an influence on |
| | those that you are going to make. |
| The difficulty with color is to go beyond the | That's life! - John Sexton |
| fact that it's color to have it be not just a | |
| colorful picture but really be a picture about | Photography records the gamut of feelings |
| something. It's difficult. So often color gets | written on the human face, the beauty of the |
| caught up in color, and it becomes merely | earth and skies that man has inherited and the |
| decorative. Some photographers use [ it ] | wealth and confusion man has created. |
| brilliantly to make visual statements combining | - Edward Steichen |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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New York |
Greenville |
Richmond |
Norfolk |
Glen Burnie |
New Castle |
Wilmington |
Clinton |
Delray Beach |
Woodbridge |
Laredo |
Playa Del Rey |
Watertown |
Aurora |
Old Greenwich |
Tillamook |
Portsmouth |
Germantown |
Orange |
Edison |
Porter |
Fairview Park |
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| "Simply look with perceptive eyes at the | Keep it simple. - Alfred Eienstaedt |
| world about you, and trust to your own | |
| reactions and convictions. Ask yourself: | You learn to see by practice. It's just like |
| "Does this subject move me to feel, think | playing tennis, you get better the more you |
| and dream? Can I visualize a print - my own | play. The more you look around at things, the |
| personal statement of what I feel and want to | more you see. The more you photograph, the |
| convey - from the subject before me?" | more you realize what can be photographed |
| - Ansel Adams | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
| [Photography] is a way of feeling, of touching, | |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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