| My own eyes are no more than scouts on a | Keep it simple. - Alfred Eienstaedt |
| preliminary search, for the camera's eye may | |
| entirely change my idea. - Edward | A picture is the expression of an impression. If |
| Weston | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
| The camera makes everyone a tourist in other | |
| people's reality. - Susan Sontag | A room hung with pictures is a room hung with |
| | thoughts. - Sir Joshua Reynolds |
| Photography suits the temper of this ageof | |
| active bodies and minds. It is a perfect | No place is boring, if you've had a good |
| medium for one whose mind is teeming with | night's sleep and have a pocket full of |
| ideas, imagery, for a prolific worker who | unexposed film. - Robert Adams |
| would be slowed down by painting or | |
| sculpting, for one who sees quickly and acts | |
| decisively, accurately. - Edward Weston | |
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San Diego |
Seattle |
Kansas City |
Baton Rouge |
Albuquerque |
Cleveland |
Bainbridge |
Bloomington |
Fayetteville |
Burbank |
Salisbury |
Manchester |
Meridian |
Lawrence |
Poteau |
Playa Del Rey |
Memphis |
Lubbock |
Thibodaux |
Oxford |
Elk City |
Bourne |
Thomson |
Dewitt |
Linthicum Heights |
Warren |
Big Spring |
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| Now to consult the rules of composition before | Photography is a major force in explaining |
| making a picture is a little like consulting the | man to man. - Edward Steichen |
| law of gravitation before going for a walk. | |
| Such rules and laws are deduced from the | Photography records the gamut of feelings |
| accomplished fact; they are the products of | written on the human face, the beauty of the |
| reflection . . . - Edward Weston | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| [Photography] is a way of feeling, of touching, | - Edward Steichen |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | Photography is about finding out what can |
| long after you have forgotten everything. | happen in the frame. When you put four |
| - Aaron Siskind | edges around some facts, you change those |
| | facts. - Gary Winogrand |
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