| You learn to see by practice. It's just like | Pictures you have taken have an influence on |
| playing tennis, you get better the more you | those that you are going to make. |
| play. The more you look around at things, the | That's life! - John Sexton |
| more you see. The more you photograph, the | |
| more you realize what can be photographed | Photography knows how to authenticate its |
| and what can't be photographed. You just have | misrepresentations. - Mason Cooley |
| to keep doing it. - Eliot Porter | |
| | Photography is a major force in explaining |
| A picture is the expression of an impression. If | man to man. - Edward Steichen |
| the beautiful were not in us, how would we | |
| ever recognize it? - Ernst Haas | |
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Chicago |
Durham |
Virginia Beach |
Kansas City |
Las Vegas |
Santa Rosa |
Palm Desert |
Johnstown |
Ames |
Portland |
Sioux City |
Tewksbury |
Corinth |
Sullivan |
Charlottesville |
Pittsburgh |
Dublin |
Buffalo |
Clanton |
Purcell |
Butler |
La Jolla |
Parker |
Deerfield |
Eufaula |
Steubenville |
Pekin |
Hopewell |
Lake Placid |
Cape Girardeau |
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| One should really use the camera as though | "Simply look with perceptive eyes at the |
| tomorrow you'd be stricken blind. | world about you, and trust to your own |
| - Dorothea Lange | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| My own eyes are no more than scouts on a | and dream? Can I visualize a print - my own |
| preliminary search, for the camera's eye may | personal statement of what I feel and want to |
| entirely change my idea. - Edward | convey - from the subject before me?" |
| Weston | - Ansel Adams |
| | |
| The virtue of the camera is not the power it | Photography is my passion. - Alfred |
| has to transform the photographer into an | Stieglitz |
| artist, but the impulse it gives him to keep on | |
| looking. - Brooks Anderson | |
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