| One should really use the camera as though | Photography is my passion. - Alfred |
| tomorrow you'd be stricken blind. | Stieglitz |
| - Dorothea Lange | |
| | [Photography] is a way of feeling, of touching, |
| The difficulty with color is to go beyond the | of loving. What you have caught on film is |
| fact that it's color to have it be not just a | captured forever . . . it remembers little things, |
| colorful picture but really be a picture about | long after you have forgotten everything. |
| something. It's difficult. So often color gets | - Aaron Siskind |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | "Simply look with perceptive eyes at the |
| brilliantly to make visual statements combining | world about you, and trust to your own |
| color and content; otherwise it is empty. | reactions and convictions. Ask yourself: |
| - Mary Ellen Mark | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Brooklyn |
Virginia Beach |
Lincoln |
Gaithersburg |
Henderson |
Coral Springs |
Titusville |
Eau Claire |
Corbin |
New Port Richey |
Beaver Dam |
Newton |
Hayward |
Meridian |
Ringgold |
Rhinelander |
Seabrook |
Victorville |
Clinton |
Cedartown |
Orlando |
Clackamas |
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| Pictures you have taken have an influence on | You can find pictures anywhere. It's simply a |
| those that you are going to make. | matter of noticing things and organizing them. |
| That's life! - John Sexton | You just have to care about what's around you |
| | and have a concern with humanity and the |
| Photography records the gamut of feelings | human comedy. - Elliott Erwitt |
| written on the human face, the beauty of the | |
| earth and skies that man has inherited and the | Keep it simple. - Alfred Eienstaedt |
| wealth and confusion man has created. | |
| - Edward Steichen | I think the best pictures are often on the edges |
| | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| | photographing the edges. - William Albert |
| | Allard |
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