| The difficulty with color is to go beyond the | A great photograph is one that fully expresses |
| fact that it's color to have it be not just a | what one feels, in the deepest sense, about |
| colorful picture but really be a picture about | what is being photographed. - Ansel |
| something. It's difficult. So often color gets | Adams |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | No place is boring, if you've had a good |
| brilliantly to make visual statements combining | night's sleep and have a pocket full of |
| color and content; otherwise it is empty. | unexposed film. - Robert Adams |
| - Mary Ellen Mark | |
| | A picture is the expression of an impression. If |
| | the beautiful were not in us, how would we |
| | ever recognize it? - Ernst Haas |
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Chicago |
Houston |
Columbia |
Raleigh |
Atlanta |
Amarillo |
Ventura |
Knoxville |
Phoenix |
Pompano Beach |
Garland |
Lubbock |
Humble |
Butler |
Bay City |
Omaha |
Louisville |
Muscatine |
Calhoun |
Winchester |
Rock Falls |
Laurinburg |
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| "Simply look with perceptive eyes at the | You've got to push yourself harder. You've got |
| world about you, and trust to your own | to start looking for pictures nobody else could |
| reactions and convictions. Ask yourself: | take. You've got to take the tools you have and |
| "Does this subject move me to feel, think | probe deeper. - William Albert Allard |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography is about finding out what can |
| convey - from the subject before me?" | happen in the frame. When you put four |
| - Ansel Adams | edges around some facts, you change those |
| | facts. - Gary Winogrand |
| Photography takes an instant out of time, | |
| altering life by holding it still. - Dorothea | |
| Lange | |
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