| The virtue of the camera is not the power it | You learn to see by practice. It's just like |
| has to transform the photographer into an | playing tennis, you get better the more you |
| artist, but the impulse it gives him to keep on | play. The more you look around at things, the |
| looking. - Brooks Anderson | more you see. The more you photograph, the |
| | more you realize what can be photographed |
| The camera makes everyone a tourist in other | and what can't be photographed. You just have |
| people's reality. - Susan Sontag | to keep doing it. - Eliot Porter |
| | |
| My own eyes are no more than scouts on a | No place is boring, if you've had a good |
| preliminary search, for the camera's eye may | night's sleep and have a pocket full of |
| entirely change my idea. - Edward | unexposed film. - Robert Adams |
| Weston | |
|
|
New York |
St. Louis |
Kansas City |
Lorain |
Midland |
Stockbridge |
Yuma |
Henderson |
Overland Park |
Tifton |
Middletown |
Selinsgrove |
Liberty |
Florence |
Waterloo |
Terre Haute |
Aurora |
Danville |
Mayfield |
West Chester |
Borger |
Calumet Park |
Niceville |
Memphis |
Bishop |
Hagerstown |
|
|
| Once photography enters your bloodstream, | Memory is very important, the memory of |
| it's like a disease. - Anon | each photo taken, flowing at the same speed |
| | as the event. During the work, you have to be |
| Photography is my passion. - Alfred | sure that you haven't left any holes, that you've |
| Stieglitz | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Photography is a major force in explaining |
| reactions and convictions. Ask yourself: | man to man. - Edward Steichen |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
|