| There is nothing worse than a sharp image of | The difficulty with color is to go beyond the |
| a fuzzy concept. - Ansel Adams | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| Now to consult the rules of composition before | something. It's difficult. So often color gets |
| making a picture is a little like consulting the | caught up in color, and it becomes merely |
| law of gravitation before going for a walk. | decorative. Some photographers use [ it ] |
| Such rules and laws are deduced from the | brilliantly to make visual statements combining |
| accomplished fact; they are the products of | color and content; otherwise it is empty. |
| reflection . . . - Edward Weston | - Mary Ellen Mark |
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Baltimore |
San Antonio |
Nashville |
Tulsa |
St. Louis |
Oceanside |
Katy |
San Mateo |
Anchorage |
Statesboro |
Brattleboro |
Butler |
Oakland |
Sunnyvale |
Buffalo Grove |
Vernon Hills |
Leavenworth |
Magnolia |
Metropolis |
Little River |
Kirksville |
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| A picture is the expression of an impression. If | Photography records the gamut of feelings |
| the beautiful were not in us, how would we | written on the human face, the beauty of the |
| ever recognize it? - Ernst Haas | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| You can find pictures anywhere. It's simply a | - Edward Steichen |
| matter of noticing things and organizing them. | |
| You just have to care about what's around you | Pictures you have taken have an influence on |
| and have a concern with humanity and the | those that you are going to make. |
| human comedy. - Elliott Erwitt | That's life! - John Sexton |
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