| Photography is about finding out what can | Keep it simple. - Alfred Eienstaedt |
| happen in the frame. When you put four | |
| edges around some facts, you change those | A room hung with pictures is a room hung with |
| facts. - Gary Winogrand | thoughts. - Sir Joshua Reynolds |
| | |
| Photography is a major force in explaining | I think the best pictures are often on the edges |
| man to man. - Edward Steichen | of any situation, I don't find photographing the |
| | situation nearly as interesting as |
| You've got to push yourself harder. You've got | photographing the edges. - William Albert |
| to start looking for pictures nobody else could | Allard |
| take. You've got to take the tools you have and | |
| probe deeper. - William Albert Allard | |
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San Diego |
Aurora |
Durham |
Sumter |
Fort Smith |
Provo |
Dearborn |
Lebanon |
Morganton |
Sun City |
Alliance |
Concord |
New Hampton |
New Providence |
Meriden |
Voorhees |
Baytown |
San Jose |
Fond Du Lac |
Troy |
Long Beach |
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| I almost never set out to photograph a | Above all, it's hard learning to live with vivid |
| landscape, nor do I think of my camera as a | mental images of scenes I cared for and failed |
| means of recording a mountain or an animal | to photograph. It is the edgy existence within |
| unless I absolutely need a 'record shot'. My | me of these unmade images that is the only |
| first thought is always of light. - Galen | assurance that the best photographs are yet to |
| Rowell | be made. - Sam Abell |
| | |
| The difficulty with color is to go beyond the | Now to consult the rules of composition before |
| fact that it's color to have it be not just a | making a picture is a little like consulting the |
| colorful picture but really be a picture about | law of gravitation before going for a walk. |
| something. It's difficult. So often color gets | Such rules and laws are deduced from the |
| caught up in color, and it becomes merely | accomplished fact; they are the products of |
| decorative. Some photographers use [ it ] | reflection . . . - Edward Weston |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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