| A great photograph is one that fully expresses | Photography knows how to authenticate its |
| what one feels, in the deepest sense, about | misrepresentations. - Mason Cooley |
| what is being photographed. - Ansel | |
| Adams | I think you have to have a real point of view |
| | that's your own. You have to tell it your way. |
| I think the best pictures are often on the edges | And, I think that it's a mistake to shoot for a |
| of any situation, I don't find photographing the | specific magazine's point of view because it's |
| situation nearly as interesting as | never going to be as good. You have to shoot |
| photographing the edges. - William Albert | for yourself and photograph [the way] you |
| Allard | believe it. - Mary Ellen Mark |
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Houston |
Philadelphia |
Nashville |
New York |
Los Angeles |
Wilmington |
Boston |
Marietta |
Orange Park |
Freehold |
Hilton Head Island |
Vidalia |
Coldwater |
Rolla |
Deer Park |
Auburn |
Tiffin |
Concord |
Fort Bragg |
East Haven |
Traverse City |
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| A mad, keen photographer needs to get out | Photography is my passion. - Alfred |
| into the world and work and make mistakes. | Stieglitz |
| - Sam Abell | |
| | [Photography] is a way of feeling, of touching, |
| The difficulty with color is to go beyond the | of loving. What you have caught on film is |
| fact that it's color to have it be not just a | captured forever . . . it remembers little things, |
| colorful picture but really be a picture about | long after you have forgotten everything. |
| something. It's difficult. So often color gets | - Aaron Siskind |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | There is nothing worse than a sharp image of |
| brilliantly to make visual statements combining | a fuzzy concept. - Ansel Adams |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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