| Once photography enters your bloodstream, | A mad, keen photographer needs to get out |
| it's like a disease. - Anon | into the world and work and make mistakes. |
| | - Sam Abell |
| "Simply look with perceptive eyes at the | |
| world about you, and trust to your own | Photography suits the temper of this ageof |
| reactions and convictions. Ask yourself: | active bodies and minds. It is a perfect |
| "Does this subject move me to feel, think | medium for one whose mind is teeming with |
| and dream? Can I visualize a print - my own | ideas, imagery, for a prolific worker who |
| personal statement of what I feel and want to | would be slowed down by painting or |
| convey - from the subject before me?" | sculpting, for one who sees quickly and acts |
| - Ansel Adams | decisively, accurately. - Edward Weston |
|
|
Houston |
Portland |
Asheville |
Miami |
Lake Worth |
Boston |
Sunrise |
Clark |
West Des Moines |
Bolingbrook |
Hollywood |
Ann Arbor |
West Plains |
Sevierville |
West Seneca |
North Las Vegas |
Norfolk |
Monticello |
Covina |
Plainfield |
Parsippany |
Eufaula |
Caldwell |
Lansdale |
Lodi |
|
|
| A picture is the expression of an impression. If | Memory is very important, the memory of |
| the beautiful were not in us, how would we | each photo taken, flowing at the same speed |
| ever recognize it? - Ernst Haas | as the event. During the work, you have to be |
| | sure that you haven't left any holes, that you've |
| No place is boring, if you've had a good | captured everything, because afterwards it will |
| night's sleep and have a pocket full of | be too late. - Henri Cartier Bresson |
| unexposed film. - Robert Adams | |
| | Photography knows how to authenticate its |
| Keep it simple. - Alfred Eienstaedt | misrepresentations. - Mason Cooley |
|