| A great photograph is one that fully expresses | Memory is very important, the memory of |
| what one feels, in the deepest sense, about | each photo taken, flowing at the same speed |
| what is being photographed. - Ansel | as the event. During the work, you have to be |
| Adams | sure that you haven't left any holes, that you've |
| | captured everything, because afterwards it will |
| You learn to see by practice. It's just like | be too late. - Henri Cartier Bresson |
| playing tennis, you get better the more you | |
| play. The more you look around at things, the | ...words and pictures can work together to |
| more you see. The more you photograph, the | communicate more powerfully than either |
| more you realize what can be photographed | alone. -William Albert Allard |
| and what can't be photographed. You just have | |
| to keep doing it. - Eliot Porter | |
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Seattle |
Oklahoma City |
San Antonio |
Detroit |
Corpus Christi |
Chicago |
Dearborn |
Victoria |
Brighton |
Sterling |
St. Louis |
Cartersville |
Leesburg |
Bellevue |
North Myrtle Beach |
Chatsworth |
Stroudsburg |
Lexington |
Gonzales |
Weehawken |
Pasadena |
Deming |
Hancock |
La Jolla |
Gary |
Port St Lucie |
Mcleansville |
Des Plaines |
Coopersville |
Test City |
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| "Simply look with perceptive eyes at the | The virtue of the camera is not the power it |
| world about you, and trust to your own | has to transform the photographer into an |
| reactions and convictions. Ask yourself: | artist, but the impulse it gives him to keep on |
| "Does this subject move me to feel, think | looking. - Brooks Anderson |
| and dream? Can I visualize a print - my own | |
| personal statement of what I feel and want to | Photography suits the temper of this ageof |
| convey - from the subject before me?" | active bodies and minds. It is a perfect |
| - Ansel Adams | medium for one whose mind is teeming with |
| | ideas, imagery, for a prolific worker who |
| It is not the language of painters but the | would be slowed down by painting or |
| language of nature which one should listen to. | sculpting, for one who sees quickly and acts |
| . . . The feeling for the things themselves, for | decisively, accurately. - Edward Weston |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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