| The difficulty with color is to go beyond the | Photography records the gamut of feelings |
| fact that it's color to have it be not just a | written on the human face, the beauty of the |
| colorful picture but really be a picture about | earth and skies that man has inherited and the |
| something. It's difficult. So often color gets | wealth and confusion man has created. |
| caught up in color, and it becomes merely | - Edward Steichen |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Photography is a major force in explaining |
| color and content; otherwise it is empty. | man to man. - Edward Steichen |
| - Mary Ellen Mark | |
| | Pictures you have taken have an influence on |
| | those that you are going to make. |
| | That's life! - John Sexton |
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Fort Lauderdale |
Philadelphia |
Phoenix |
Quincy |
Rogers |
Boston |
Newport |
Victorville |
Las Cruces |
Jackson |
Petaluma |
Belton |
Lodi |
Aberdeen |
Bardstown |
Eagle Pass |
Georgetown |
Egg Harbor Township |
Sequim |
Rancho Santa Fe |
Montgomery |
Troy |
Franklin Park |
Edmonds |
North Charleston |
Central Point |
Dothan |
Sand Spring |
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| Photography takes an instant out of time, | No place is boring, if you've had a good |
| altering life by holding it still. - Dorothea | night's sleep and have a pocket full of |
| Lange | unexposed film. - Robert Adams |
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| "Simply look with perceptive eyes at the | A picture is the expression of an impression. If |
| world about you, and trust to your own | the beautiful were not in us, how would we |
| reactions and convictions. Ask yourself: | ever recognize it? - Ernst Haas |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Sometimes you can tell a large story with a |
| personal statement of what I feel and want to | tiny subject. - Eliot Porter |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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