| I think the best pictures are often on the edges | Photography suits the temper of this ageof |
| of any situation, I don't find photographing the | active bodies and minds. It is a perfect |
| situation nearly as interesting as | medium for one whose mind is teeming with |
| photographing the edges. - William Albert | ideas, imagery, for a prolific worker who |
| Allard | would be slowed down by painting or |
| | sculpting, for one who sees quickly and acts |
| No place is boring, if you've had a good | decisively, accurately. - Edward Weston |
| night's sleep and have a pocket full of | |
| unexposed film. - Robert Adams | The difficulty with color is to go beyond the |
| | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| | something. It's difficult. So often color gets |
| | caught up in color, and it becomes merely |
| | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| | color and content; otherwise it is empty. |
| | - Mary Ellen Mark |
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New York |
Indianapolis |
Portland |
Reno |
Searcy |
Lakeland |
Clarksville |
Orlando |
San Ramon |
Champaign |
Houma |
Killeen |
San Pedro |
Peabody |
Shippensburg |
Tarrytown |
Raynham |
Ogden |
Texarkana |
Union City |
Monahans |
Conover |
Staunton |
Garner |
Tillamook |
Pikesville |
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| There is nothing worse than a sharp image of | Photography is about finding out what can |
| a fuzzy concept. - Ansel Adams | happen in the frame. When you put four |
| | edges around some facts, you change those |
| Photography is my passion. - Alfred | facts. - Gary Winogrand |
| Stieglitz | |
| | Memory is very important, the memory of |
| "Simply look with perceptive eyes at the | each photo taken, flowing at the same speed |
| world about you, and trust to your own | as the event. During the work, you have to be |
| reactions and convictions. Ask yourself: | sure that you haven't left any holes, that you've |
| "Does this subject move me to feel, think | captured everything, because afterwards it will |
| and dream? Can I visualize a print - my own | be too late. - Henri Cartier Bresson |
| personal statement of what I feel and want to | |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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