| Photography is about finding out what can | Photography is my passion. - Alfred |
| happen in the frame. When you put four | Stieglitz |
| edges around some facts, you change those | |
| facts. - Gary Winogrand | "Simply look with perceptive eyes at the |
| | world about you, and trust to your own |
| I think you have to have a real point of view | reactions and convictions. Ask yourself: |
| that's your own. You have to tell it your way. | "Does this subject move me to feel, think |
| And, I think that it's a mistake to shoot for a | and dream? Can I visualize a print - my own |
| specific magazine's point of view because it's | personal statement of what I feel and want to |
| never going to be as good. You have to shoot | convey - from the subject before me?" |
| for yourself and photograph [the way] you | - Ansel Adams |
| believe it. - Mary Ellen Mark | |
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Miami |
Cedar Rapids |
Richmond |
San Francisco |
Aurora |
Albany |
Gettysburg |
Charlottesville |
Terre Haute |
Ellisville |
Artesia |
New Albany |
Portland |
Palm Beach Gardens |
Staten Island |
Weston |
San Pedro |
Delaware |
Newport |
Aspen |
Nashua |
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| The difficulty with color is to go beyond the | A good picture is equivalent to a good deed. |
| fact that it's color to have it be not just a | - Vincent Van Gogh |
| colorful picture but really be a picture about | |
| something. It's difficult. So often color gets | A picture is the expression of an impression. If |
| caught up in color, and it becomes merely | the beautiful were not in us, how would we |
| decorative. Some photographers use [ it ] | ever recognize it? - Ernst Haas |
| brilliantly to make visual statements combining | |
| color and content; otherwise it is empty. | Sometimes you can tell a large story with a |
| - Mary Ellen Mark | tiny subject. - Eliot Porter |
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