| A mad, keen photographer needs to get out | It is not the language of painters but the |
| into the world and work and make mistakes. | language of nature which one should listen to. |
| - Sam Abell | . . . The feeling for the things themselves, for |
| | reality, is more important than the feeling for |
| I almost never set out to photograph a | pictures. - Vincent Van Gogh |
| landscape, nor do I think of my camera as a | |
| means of recording a mountain or an animal | "Simply look with perceptive eyes at the |
| unless I absolutely need a 'record shot'. My | world about you, and trust to your own |
| first thought is always of light. - Galen | reactions and convictions. Ask yourself: |
| Rowell | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Los Angeles |
San Diego |
Houston |
Kansas City |
Philadelphia |
Memphis |
Baltimore |
Des Moines |
Fresno |
Bakersfield |
Durham |
Fullerton |
Carlsbad |
Hartford |
Ashland |
Wichita Falls |
Lake Placid |
Harlan |
Chantilly |
Pineville |
Bonham |
Alamosa |
Gurnee |
Buffalo |
Campbellsville |
Wooster |
Prince Frederick |
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| Photography is a major force in explaining | A room hung with pictures is a room hung with |
| man to man. - Edward Steichen | thoughts. - Sir Joshua Reynolds |
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| Pictures you have taken have an influence on | Keep it simple. - Alfred Eienstaedt |
| those that you are going to make. | |
| That's life! - John Sexton | You can find pictures anywhere. It's simply a |
| | matter of noticing things and organizing them. |
| Photography records the gamut of feelings | You just have to care about what's around you |
| written on the human face, the beauty of the | and have a concern with humanity and the |
| earth and skies that man has inherited and the | human comedy. - Elliott Erwitt |
| wealth and confusion man has created. | |
| - Edward Steichen | |
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