| It is not the language of painters but the | I think the best pictures are often on the edges |
| language of nature which one should listen to. | of any situation, I don't find photographing the |
| . . . The feeling for the things themselves, for | situation nearly as interesting as |
| reality, is more important than the feeling for | photographing the edges. - William Albert |
| pictures. - Vincent Van Gogh | Allard |
| | |
| Photography takes an instant out of time, | A great photograph is one that fully expresses |
| altering life by holding it still. - Dorothea | what one feels, in the deepest sense, about |
| Lange | what is being photographed. - Ansel |
| | Adams |
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Indianapolis |
Bronx |
Las Vegas |
Denver |
San Antonio |
Tucson |
Arlington |
Hollywood |
Sarasota |
Waco |
Columbia |
Flushing |
Nashville |
Augusta |
Madison |
Glendora |
Pikesville |
Johnson City |
Short Hills |
Kerrville |
Grand Rapids |
Watsonville |
Kingman |
Monticello |
Mexico |
West Point |
Tewksbury |
Allen Park |
Bethel |
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| Photography knows how to authenticate its | The difficulty with color is to go beyond the |
| misrepresentations. - Mason Cooley | fact that it's color to have it be not just a |
| | colorful picture but really be a picture about |
| ...words and pictures can work together to | something. It's difficult. So often color gets |
| communicate more powerfully than either | caught up in color, and it becomes merely |
| alone. -William Albert Allard | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| Photography is a major force in explaining | color and content; otherwise it is empty. |
| man to man. - Edward Steichen | - Mary Ellen Mark |
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