| You can find pictures anywhere. It's simply a | There is nothing worse than a sharp image of |
| matter of noticing things and organizing them. | a fuzzy concept. - Ansel Adams |
| You just have to care about what's around you | |
| and have a concern with humanity and the | [Photography] is a way of feeling, of touching, |
| human comedy. - Elliott Erwitt | of loving. What you have caught on film is |
| | captured forever . . . it remembers little things, |
| A room hung with pictures is a room hung with | long after you have forgotten everything. |
| thoughts. - Sir Joshua Reynolds | - Aaron Siskind |
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| No place is boring, if you've had a good | "Simply look with perceptive eyes at the |
| night's sleep and have a pocket full of | world about you, and trust to your own |
| unexposed film. - Robert Adams | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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Houston |
Brooklyn |
Huntington Beach |
Rockford |
Chattanooga |
Oceanside |
Austin |
Miami |
Fullerton |
Chesterfield |
Wautoma |
Somerville |
Vernon |
Walnut |
Hardeeville |
Lenox |
Artesia |
South Kingstown |
Rantoul |
Roseville |
Bowling Green |
Rocklin |
Livermore |
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| I think you have to have a real point of view | Photography suits the temper of this ageof |
| that's your own. You have to tell it your way. | active bodies and minds. It is a perfect |
| And, I think that it's a mistake to shoot for a | medium for one whose mind is teeming with |
| specific magazine's point of view because it's | ideas, imagery, for a prolific worker who |
| never going to be as good. You have to shoot | would be slowed down by painting or |
| for yourself and photograph [the way] you | sculpting, for one who sees quickly and acts |
| believe it. - Mary Ellen Mark | decisively, accurately. - Edward Weston |
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| Photography knows how to authenticate its | One should really use the camera as though |
| misrepresentations. - Mason Cooley | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
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