| I think the best pictures are often on the edges | I think you have to have a real point of view |
| of any situation, I don't find photographing the | that's your own. You have to tell it your way. |
| situation nearly as interesting as | And, I think that it's a mistake to shoot for a |
| photographing the edges. - William Albert | specific magazine's point of view because it's |
| Allard | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| A good picture is equivalent to a good deed. | believe it. - Mary Ellen Mark |
| - Vincent Van Gogh | |
| | Memory is very important, the memory of |
| A great photograph is one that fully expresses | each photo taken, flowing at the same speed |
| what one feels, in the deepest sense, about | as the event. During the work, you have to be |
| what is being photographed. - Ansel | sure that you haven't left any holes, that you've |
| Adams | captured everything, because afterwards it will |
| | be too late. - Henri Cartier Bresson |
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Cleveland |
Baton Rouge |
Austin |
Melbourne |
Saginaw |
Naples |
Tuscaloosa |
Rochester |
Overland Park |
Rapid City |
Tucson |
Petersburg |
Muskogee |
Albertville |
Irving |
High Point |
Brainerd |
York |
Westminster |
Grand Island |
Camp Hill |
Chester |
El Cajon |
New Hope |
Palm Harbor |
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| There is nothing worse than a sharp image of | One should really use the camera as though |
| a fuzzy concept. - Ansel Adams | tomorrow you'd be stricken blind. |
| | - Dorothea Lange |
| Now to consult the rules of composition before | |
| making a picture is a little like consulting the | I almost never set out to photograph a |
| law of gravitation before going for a walk. | landscape, nor do I think of my camera as a |
| Such rules and laws are deduced from the | means of recording a mountain or an animal |
| accomplished fact; they are the products of | unless I absolutely need a 'record shot'. My |
| reflection . . . - Edward Weston | first thought is always of light. - Galen |
| | Rowell |
|