| A great photograph is one that fully expresses | Pictures you have taken have an influence on |
| what one feels, in the deepest sense, about | those that you are going to make. |
| what is being photographed. - Ansel | That's life! - John Sexton |
| Adams | |
| | You've got to push yourself harder. You've got |
| A room hung with pictures is a room hung with | to start looking for pictures nobody else could |
| thoughts. - Sir Joshua Reynolds | take. You've got to take the tools you have and |
| | probe deeper. - William Albert Allard |
| A picture is the expression of an impression. If | |
| the beautiful were not in us, how would we | Photography is a major force in explaining |
| ever recognize it? - Ernst Haas | man to man. - Edward Steichen |
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Toledo |
St. Louis |
Pittsburgh |
Detroit |
London |
New Smyrna Beach |
Brockton |
Nashville |
Hilton Head Island |
San Marcos |
Jackson |
Plainview |
Coraopolis |
St. Cloud |
Pomona |
Defiance |
Floral Park |
Dansville |
Oak Hill |
Utica |
Bedford Park |
Bellevue |
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| I almost never set out to photograph a | There is nothing worse than a sharp image of |
| landscape, nor do I think of my camera as a | a fuzzy concept. - Ansel Adams |
| means of recording a mountain or an animal | |
| unless I absolutely need a 'record shot'. My | Photography is my passion. - Alfred |
| first thought is always of light. - Galen | Stieglitz |
| Rowell | |
| | "Simply look with perceptive eyes at the |
| The difficulty with color is to go beyond the | world about you, and trust to your own |
| fact that it's color to have it be not just a | reactions and convictions. Ask yourself: |
| colorful picture but really be a picture about | "Does this subject move me to feel, think |
| something. It's difficult. So often color gets | and dream? Can I visualize a print - my own |
| caught up in color, and it becomes merely | personal statement of what I feel and want to |
| decorative. Some photographers use [ it ] | convey - from the subject before me?" |
| brilliantly to make visual statements combining | - Ansel Adams |
| color and content; otherwise it is empty. | |
| - Mary Ellen Mark | |
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