| It is not the language of painters but the | The virtue of the camera is not the power it |
| language of nature which one should listen to. | has to transform the photographer into an |
| . . . The feeling for the things themselves, for | artist, but the impulse it gives him to keep on |
| reality, is more important than the feeling for | looking. - Brooks Anderson |
| pictures. - Vincent Van Gogh | |
| | My own eyes are no more than scouts on a |
| Photography takes an instant out of time, | preliminary search, for the camera's eye may |
| altering life by holding it still. - Dorothea | entirely change my idea. - Edward |
| Lange | Weston |
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Los Angeles |
Colorado Springs |
Brooklyn |
Columbus |
New Orleans |
Vineland |
Cape Girardeau |
Savannah |
Moore |
Salem |
Thomson |
Sun City Center |
Lancaster |
Mattoon |
Lee |
Luverne |
Dumas |
Aiken |
Southgate |
Marshfield |
Foristell |
Midlothian |
Des Plaines |
Michigan City |
Monroeville |
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| I think you have to have a real point of view | A great photograph is one that fully expresses |
| that's your own. You have to tell it your way. | what one feels, in the deepest sense, about |
| And, I think that it's a mistake to shoot for a | what is being photographed. - Ansel |
| specific magazine's point of view because it's | Adams |
| never going to be as good. You have to shoot | |
| for yourself and photograph [the way] you | You learn to see by practice. It's just like |
| believe it. - Mary Ellen Mark | playing tennis, you get better the more you |
| | play. The more you look around at things, the |
| Photography is a major force in explaining | more you see. The more you photograph, the |
| man to man. - Edward Steichen | more you realize what can be photographed |
| | and what can't be photographed. You just have |
| | to keep doing it. - Eliot Porter |
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