| Photography is a major force in explaining | It is not the language of painters but the |
| man to man. - Edward Steichen | language of nature which one should listen to. |
| | . . . The feeling for the things themselves, for |
| Photography records the gamut of feelings | reality, is more important than the feeling for |
| written on the human face, the beauty of the | pictures. - Vincent Van Gogh |
| earth and skies that man has inherited and the | |
| wealth and confusion man has created. | Above all, it's hard learning to live with vivid |
| - Edward Steichen | mental images of scenes I cared for and failed |
| | to photograph. It is the edgy existence within |
| ...words and pictures can work together to | me of these unmade images that is the only |
| communicate more powerfully than either | assurance that the best photographs are yet to |
| alone. -William Albert Allard | be made. - Sam Abell |
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San Francisco |
San Diego |
Austin |
Arlington |
Orange Park |
Clark |
Van Buren |
Torrance |
Anaheim Hills |
Albany |
Cortland |
Solvang |
Estes Park |
Saraland |
Terrell |
Mitchell |
Gilbertsville |
Strongsville |
Interior |
Sweetwater |
Sapphire |
Caldwell |
Waterbury |
Mesa |
Helendale |
Coc |
Alpha |
Ruther Glenn |
Foster City |
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| The difficulty with color is to go beyond the | You can find pictures anywhere. It's simply a |
| fact that it's color to have it be not just a | matter of noticing things and organizing them. |
| colorful picture but really be a picture about | You just have to care about what's around you |
| something. It's difficult. So often color gets | and have a concern with humanity and the |
| caught up in color, and it becomes merely | human comedy. - Elliott Erwitt |
| decorative. Some photographers use [ it ] | |
| brilliantly to make visual statements combining | Sometimes you can tell a large story with a |
| color and content; otherwise it is empty. | tiny subject. - Eliot Porter |
| - Mary Ellen Mark | |
| | Keep it simple. - Alfred Eienstaedt |
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