| Photography takes an instant out of time, | No place is boring, if you've had a good |
| altering life by holding it still. - Dorothea | night's sleep and have a pocket full of |
| Lange | unexposed film. - Robert Adams |
| | |
| [Photography] is a way of feeling, of touching, | Keep it simple. - Alfred Eienstaedt |
| of loving. What you have caught on film is | |
| captured forever . . . it remembers little things, | A picture is the expression of an impression. If |
| long after you have forgotten everything. | the beautiful were not in us, how would we |
| - Aaron Siskind | ever recognize it? - Ernst Haas |
|
|
Baltimore |
Indianapolis |
Jacksonville |
Boston |
Oklahoma City |
Lexington |
West Palm Beach |
Anchorage |
Jackson |
Duluth |
Bethlehem |
West Allis |
Waterford |
Arlington |
Broomfield |
New Holland |
Waynesboro |
Copperas Cove |
Fallbrook |
Brooklyn |
Coshocton |
|
|
| One should really use the camera as though | Photography knows how to authenticate its |
| tomorrow you'd be stricken blind. | misrepresentations. - Mason Cooley |
| - Dorothea Lange | |
| | Photography records the gamut of feelings |
| The difficulty with color is to go beyond the | written on the human face, the beauty of the |
| fact that it's color to have it be not just a | earth and skies that man has inherited and the |
| colorful picture but really be a picture about | wealth and confusion man has created. |
| something. It's difficult. So often color gets | - Edward Steichen |
| caught up in color, and it becomes merely | |
| decorative. Some photographers use [ it ] | I think you have to have a real point of view |
| brilliantly to make visual statements combining | that's your own. You have to tell it your way. |
| color and content; otherwise it is empty. | And, I think that it's a mistake to shoot for a |
| - Mary Ellen Mark | specific magazine's point of view because it's |
| | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| | believe it. - Mary Ellen Mark |
|