| Photography knows how to authenticate its | The virtue of the camera is not the power it |
| misrepresentations. - Mason Cooley | has to transform the photographer into an |
| | artist, but the impulse it gives him to keep on |
| Memory is very important, the memory of | looking. - Brooks Anderson |
| each photo taken, flowing at the same speed | |
| as the event. During the work, you have to be | I almost never set out to photograph a |
| sure that you haven't left any holes, that you've | landscape, nor do I think of my camera as a |
| captured everything, because afterwards it will | means of recording a mountain or an animal |
| be too late. - Henri Cartier Bresson | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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Chicago |
San Jose |
Los Angeles |
New York |
Lexington |
Cypress |
Hendersonville |
Edmond |
Uniontown |
Fairmont |
Huntington Station |
Pittsfield |
Boone |
Del Rio |
Alice |
Highland |
Sebastopol |
Merced |
Addison |
Fort Bragg |
Cumberland |
Jacksonville |
Excelsior Springs |
Aventura |
Rio Rancho |
Lakewood |
Northwood |
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| Once photography enters your bloodstream, | Keep it simple. - Alfred Eienstaedt |
| it's like a disease. - Anon | |
| | A picture is the expression of an impression. If |
| "Simply look with perceptive eyes at the | the beautiful were not in us, how would we |
| world about you, and trust to your own | ever recognize it? - Ernst Haas |
| reactions and convictions. Ask yourself: | |
| "Does this subject move me to feel, think | No place is boring, if you've had a good |
| and dream? Can I visualize a print - my own | night's sleep and have a pocket full of |
| personal statement of what I feel and want to | unexposed film. - Robert Adams |
| convey - from the subject before me?" | |
| - Ansel Adams | |
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