| Photography is a major force in explaining | Keep it simple. - Alfred Eienstaedt |
| man to man. - Edward Steichen | |
| | A great photograph is one that fully expresses |
| ...words and pictures can work together to | what one feels, in the deepest sense, about |
| communicate more powerfully than either | what is being photographed. - Ansel |
| alone. -William Albert Allard | Adams |
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| You've got to push yourself harder. You've got | No place is boring, if you've had a good |
| to start looking for pictures nobody else could | night's sleep and have a pocket full of |
| take. You've got to take the tools you have and | unexposed film. - Robert Adams |
| probe deeper. - William Albert Allard | |
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San Jose |
Houston |
Albany |
Stamford |
Grand Prairie |
Springfield |
St. Charles |
Gardena |
Galveston |
Solvang |
Spearfish |
Charlotte |
Kent |
Wichita |
Whitley City |
Jasper |
West Point |
Ojai |
Lafayette |
Maplewood |
Ottawa |
Arlington |
La Plata |
Plainville |
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| Now to consult the rules of composition before | The difficulty with color is to go beyond the |
| making a picture is a little like consulting the | fact that it's color to have it be not just a |
| law of gravitation before going for a walk. | colorful picture but really be a picture about |
| Such rules and laws are deduced from the | something. It's difficult. So often color gets |
| accomplished fact; they are the products of | caught up in color, and it becomes merely |
| reflection . . . - Edward Weston | decorative. Some photographers use [ it ] |
| | brilliantly to make visual statements combining |
| [Photography] is a way of feeling, of touching, | color and content; otherwise it is empty. |
| of loving. What you have caught on film is | - Mary Ellen Mark |
| captured forever . . . it remembers little things, | |
| long after you have forgotten everything. | |
| - Aaron Siskind | |
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