| A mad, keen photographer needs to get out | Photography knows how to authenticate its |
| into the world and work and make mistakes. | misrepresentations. - Mason Cooley |
| - Sam Abell | |
| | I think you have to have a real point of view |
| The virtue of the camera is not the power it | that's your own. You have to tell it your way. |
| has to transform the photographer into an | And, I think that it's a mistake to shoot for a |
| artist, but the impulse it gives him to keep on | specific magazine's point of view because it's |
| looking. - Brooks Anderson | never going to be as good. You have to shoot |
| | for yourself and photograph [the way] you |
| One should really use the camera as though | believe it. - Mary Ellen Mark |
| tomorrow you'd be stricken blind. | |
| - Dorothea Lange | |
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| I think the best pictures are often on the edges | Now to consult the rules of composition before |
| of any situation, I don't find photographing the | making a picture is a little like consulting the |
| situation nearly as interesting as | law of gravitation before going for a walk. |
| photographing the edges. - William Albert | Such rules and laws are deduced from the |
| Allard | accomplished fact; they are the products of |
| | reflection . . . - Edward Weston |
| No place is boring, if you've had a good | |
| night's sleep and have a pocket full of | "Simply look with perceptive eyes at the |
| unexposed film. - Robert Adams | world about you, and trust to your own |
| | reactions and convictions. Ask yourself: |
| | "Does this subject move me to feel, think |
| | and dream? Can I visualize a print - my own |
| | personal statement of what I feel and want to |
| | convey - from the subject before me?" |
| | - Ansel Adams |
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