| A good picture is equivalent to a good deed. | ...words and pictures can work together to |
| - Vincent Van Gogh | communicate more powerfully than either |
| | alone. -William Albert Allard |
| Keep it simple. - Alfred Eienstaedt | |
| | Photography is about finding out what can |
| I think the best pictures are often on the edges | happen in the frame. When you put four |
| of any situation, I don't find photographing the | edges around some facts, you change those |
| situation nearly as interesting as | facts. - Gary Winogrand |
| photographing the edges. - William Albert | |
| Allard | Photography records the gamut of feelings |
| | written on the human face, the beauty of the |
| | earth and skies that man has inherited and the |
| | wealth and confusion man has created. |
| | - Edward Steichen |
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Houston |
Brooklyn |
Phoenix |
York |
Atlanta |
Denver |
Fayetteville |
Shreveport |
Santa Monica |
Hagerstown |
Statesboro |
Harlan |
Newton |
Brazil |
St. Joseph |
Olathe |
Little Rock |
Fergus Falls |
High Point |
Northbrook |
Cookeville |
San Carlos |
Cinnaminson |
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| It is not the language of painters but the | My own eyes are no more than scouts on a |
| language of nature which one should listen to. | preliminary search, for the camera's eye may |
| . . . The feeling for the things themselves, for | entirely change my idea. - Edward |
| reality, is more important than the feeling for | Weston |
| pictures. - Vincent Van Gogh | |
| | A mad, keen photographer needs to get out |
| Above all, it's hard learning to live with vivid | into the world and work and make mistakes. |
| mental images of scenes I cared for and failed | - Sam Abell |
| to photograph. It is the edgy existence within | |
| me of these unmade images that is the only | I almost never set out to photograph a |
| assurance that the best photographs are yet to | landscape, nor do I think of my camera as a |
| be made. - Sam Abell | means of recording a mountain or an animal |
| | unless I absolutely need a 'record shot'. My |
| | first thought is always of light. - Galen |
| | Rowell |
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