| "Simply look with perceptive eyes at the | One should really use the camera as though |
| world about you, and trust to your own | tomorrow you'd be stricken blind. |
| reactions and convictions. Ask yourself: | - Dorothea Lange |
| "Does this subject move me to feel, think | |
| and dream? Can I visualize a print - my own | Photography suits the temper of this ageof |
| personal statement of what I feel and want to | active bodies and minds. It is a perfect |
| convey - from the subject before me?" | medium for one whose mind is teeming with |
| - Ansel Adams | ideas, imagery, for a prolific worker who |
| | would be slowed down by painting or |
| It is not the language of painters but the | sculpting, for one who sees quickly and acts |
| language of nature which one should listen to. | decisively, accurately. - Edward Weston |
| . . . The feeling for the things themselves, for | |
| reality, is more important than the feeling for | |
| pictures. - Vincent Van Gogh | |
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Philadelphia |
St. Louis |
Tucson |
Coral Springs |
Phoenix |
Scranton |
Orange Park |
Cumming |
Acworth |
Newark |
Clinton Township |
Southington |
Whittier |
Columbia |
Bainbridge |
Glendale |
Goose Creek |
Jupiter |
Deer Park |
Pocomoke City |
Medina |
Tallahassee |
Birmingham |
Bossier City |
Moreno Valley |
Spearfish |
Vestal |
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| Photography records the gamut of feelings | A picture is the expression of an impression. If |
| written on the human face, the beauty of the | the beautiful were not in us, how would we |
| earth and skies that man has inherited and the | ever recognize it? - Ernst Haas |
| wealth and confusion man has created. | |
| - Edward Steichen | A good picture is equivalent to a good deed. |
| | - Vincent Van Gogh |
| Memory is very important, the memory of | |
| each photo taken, flowing at the same speed | Keep it simple. - Alfred Eienstaedt |
| as the event. During the work, you have to be | |
| sure that you haven't left any holes, that you've | A great photograph is one that fully expresses |
| captured everything, because afterwards it will | what one feels, in the deepest sense, about |
| be too late. - Henri Cartier Bresson | what is being photographed. - Ansel |
| | Adams |
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